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The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière

開頭很歡樂啊，不過結尾爛了。

越看到后面越感覺并不是在諷刺“資產階級文藝青年空口談革命”，反而覺得導演在用怪誕的方式“真實地觀察并記錄一群可愛的青年”。最后想感嘆一句:電影字幕的混亂并沒有減少我對這部電影內容到形式的雙重著迷，二刷的可能性極大。

又開始了新的一季，新的模式，兩個店長，不知道哪一隊會贏呢，不管誰贏，都是在傳播中華文化。

讓人有種看乏味的單元劇的感覺