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主要還是鄭秀文的戲，小孩沒那么重要，母愛也沒那么重要，只是一個女人面對困境的自我拯救。電影把鄭秀文的擰巴、不甘心和一點(diǎn)點(diǎn)的釋然呈現(xiàn)得很好，但幾段孩子的戲都差強(qiáng)人意。

先有雞還是先有蛋？先有顏射的快感還是先有顏射的概念？到底是與生俱來的快感形式被村西解放了，還是本來不存在的快感被發(fā)明了出來？不論怎樣，AV都在當(dāng)代人的性關(guān)系和性癖塑造方面有著相當(dāng)?shù)脑捳Z權(quán)。（疑似跑題了）

很難想象失去三歲的兒子，是什么感受。等我兒子大了我也可以做寄宿家庭

Definitely holds up. Emotional development-wise it's showing progress too: Lizzie becomes more outspoken ("just another item on the list"), Arthur hits rock bottom but then comes back up, Michael's lack of self-awareness leads him down the wrong path, and Tommy finally has the strength and clarity to recognize what's important.

AUV，豆導(dǎo)的才華真有限，小靚仔們演得真矯情，不過PHYSICALLY,我真喜歡平頭的沉默少年呀