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As much a film about accepting grief as accepting death—of being perpetually, profoundly melancholic in a beautiful world. Koreeda's long shots not only provide an aesthetic answer to the film's philosophical premise but also establish a respectful distance from Esumi's protagonist: it's formalist cinema of a humble and deeply compassionate nature.

宋康昊年當(dāng)年的感覺和現(xiàn)在完全不同了

看了兩遍，中間隔了幾年。必須看兩遍，才能把里面的各種關(guān)系弄明白。

特別喜歡的一部老港片，要劇情有劇情，演員們也演得好。

看完就完了，記憶點不深