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As much a film about accepting grief as accepting death—of being perpetually, profoundly melancholic in a beautiful world. Koreeda's long shots not only provide an aesthetic answer to the film's philosophical premise but also establish a respectful distance from Esumi's protagonist: it's formalist cinema of a humble and deeply compassionate nature.

情節(jié)很簡單，看片名就知道，不過過程還是很精彩的，一個(gè)人的孤島求生經(jīng)歷，精彩又搞笑。和排球的“友情”還是相當(dāng)感人的特別是不得不讓排球漂走的時(shí)候。細(xì)節(jié)刻畫很巧妙~ Fedex和Wilson的廣告真是做足了。

用雙截棍虐菜那場戲好喜感，有些段落李小龍也展示了呆萌的一面～

我一開始以為是個(gè)愛情片，看完卻發(fā)現(xiàn)是個(gè)標(biāo)題黨?？赐隂]啥感覺，不過那篇演講確實(shí)印象深刻。

經(jīng)典意義更大于電影本身，有了1才有后面的0，才有了動(dòng)作電影的無限進(jìn)步！