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以現(xiàn)在的目光來看略顯平庸，但在當(dāng)時(shí)是動作電影的里程碑，吊打成龍加一星。PS：這部電影公映的時(shí)候李小龍已經(jīng)去世一個(gè)星期了。2014.7.26

造詣還不夠深吧，無法get到什么點(diǎn)。（阿里盤

爆炸頭背了鍋先掛了，欠債男又直接成隊(duì)友了，這兩位特地安排的高手角色和小龍間都沒有對手戲，浪費(fèi)了比武大會的題材，故事也拍得更像是個(gè)諜戰(zhàn)片兒。

Akerman brings to world cinema a level of sensitivity & perception that surpasses the best of men (Rohmer, Bergman, Antonioni, Bresson). Les Rendez-vous d'Anna is at once warm and detached, familiar yet strange, funny but serious. It's a film where the personal intersects with the historical; the sexual with the political; and the particular with the universal. Ackerman dissects, deconstructs, and redefines the elements of cinema that JLG never managed to do.

我嚴(yán)肅地態(tài)度看過的第二部吸血鬼電影。 上海電影節(jié)19th，4K，上海影城，Jun15,2016