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4.5; Never before have I seen a zombie film with so many layers. The symbolic meaning of the infection is announced from the very beginning through footage and words to be 'rage', and the violence induced by it henceforward becomes the centre of the film's criticism. But what adds to the film's complexity is the fact that the protagonist is empowered only by rage to fight for those he loves and defeat the purposeless soldiers, who by contrast fight for nothing but themselves. The film thus indicates a place for violence in humanity and hints that violence is not inherently the abject. It also draws a comparison between two archetypes of fatherhood: permissive & autocratic

刪改太不靠譜，圣誕舞會篇幅太長，就是三強爭霸的三個會場設計的不錯（第三個那個迷宮就算了，哪兒都有），還有就是我大費因斯終于現(xiàn)身了吼吼吼

一到人物對話就像電視劇，拍得太簡單了。開篇的空曠和超市因為欲望而有的簡單的快樂我都挺喜歡。不過這個鋼琴配樂就真的搭配這個室內(nèi)的場景，真的很電視電影。

給3星算是高的了，跟黑暗侵襲不是一個檔次的

SOS不比HELLO好拼嘛 這幫英國佬