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影像天馬行空，如愛麗絲夢游仙境一般穿梭在各個世界之中，中間一段夢境長鏡頭看得目眩神迷

原來講的是這么一個簡單的故事，質(zhì)感很美，陳柏霖失魂落魄地看著桂綸鎂，桂綸鎂失魂落魄地看著梁淑慧。真應(yīng)該在大學(xué)的時候就看，現(xiàn)在心累了很多，看這樣的片子內(nèi)心會被遺憾懷念羨慕充滿，反而體會不到那些細(xì)膩的小心思了。有些電影真應(yīng)該在對的季節(jié)看，太早太晚都體會不到。

4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.

太把自己當(dāng)回事兒了，那棟樓里真的活著人嗎？

3.2 “以前絕世和三部曲真的巔峰啊”。這是當(dāng)時看的時候的感覺，至少至今即使希望也沒被打破。