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后現(xiàn)代癲狂語境下對宗教戲謔而不失溫情的重構(gòu)。上帝變身專門為人類制造困境、離開電腦便無力可施的邋遢惡父，屬于男性的神權(quán)自初始便被消解，這使得女性用慈愛與美拯救世界的結(jié)果順理成章。交錯的章節(jié)，具象的比喻，機(jī)智冷峻的幽默將節(jié)奏調(diào)適得趣味叢生

前面線已經(jīng)埋的很明顯了，劇情走向也是為了反轉(zhuǎn)服務(wù)，就...沒那么有意思了。結(jié)尾不太行。開放結(jié)尾更好一點(diǎn)?；蛘哒f，導(dǎo)演本身就很有傾向性，心理醫(yī)生說了出來

全滿想象力的“反基督者” 荒誕而戲謔之后不禁會心一笑

香蕉姐的角色最出彩。感謝七十年代的前輩們的不妥協(xié)和堅持。勝利終將來臨。Changing this will take a very long time, but after all, we are dealing with 10,000 years of patriarchy and racism, but we must continue to move forward in waves. What will keep us going is the revelation of what we can be, what the people around us can be without the crippling walls and prisons into which we have been forced.

用傳統(tǒng)去反傳統(tǒng)，用創(chuàng)意去書寫俗套，聰明。