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六七十年代工人階級(jí)孩童的生活?；臎鲩]塞的工業(yè)小鎮(zhèn)，貧瘠壓抑的底層生活，“一代不如一代”的教育方式，爭(zhēng)吵不休的家庭關(guān)系……所有一切都讓我想起了《大象席地而坐》。不同的是，胡波帶入了非常暴戾的情緒，但肯·洛奇的旁觀卻如此冷靜，但又飽含深情。它也讓我想起了特呂弗的《四百擊》，想起了賈樟柯的“故鄉(xiāng)三部曲”，想起了達(dá)內(nèi)兄弟的《羅塞塔》。 導(dǎo)演所有的情緒或許都隱藏在小孩馴養(yǎng)鷹的那些段落里吧，蒼茫的綠林，遼闊的天空，安靜神秘的鷹之飛翔，和他困窘而愁云慘淡的生活形成了鮮明的對(duì)比。 只有站在講臺(tái)上說(shuō)起他的鷹，只有當(dāng)老師站在一旁擊節(jié)感嘆他的馴養(yǎng)術(shù)時(shí)，這個(gè)孱弱的孩子身體里才煥發(fā)出了動(dòng)人的光彩。再微小的個(gè)體，也有對(duì)自由的向往。

我突然才知道公路電影多適合中國(guó)。中間有些段落，一些風(fēng)景+風(fēng)俗的融入實(shí)在太贊了。

前面太無(wú)厘頭了，后面終于進(jìn)入狀態(tài)開(kāi)始吸引人了。At beginning, the hero found himself to be a loser after he accidently knew that his wife has an affair with his boss, then he became a desperate man with nothing to lose and got involved in a series of radiculous events including robbing his own firm as a revenge to his boss. However, he got survived from the hell when he knew that the affair was not true and his wife still loved him, then he needed to get his life back to normal. The feeling is so subtle that it rules your life completely. Your status being in paradise or hell depends on your feeling, of course a rational feeling. I am master of fate and ruler of destiny, from the black man.

最近一直惡補(bǔ)李連杰的電影，除了早期在香港拍的電影還不錯(cuò)，到了好萊塢就像一個(gè)工具人一樣，只管打，劇情大同小異，毫無(wú)亮點(diǎn)

#和女兒一起看# 微黃暴但全家一起看真挺happy的。