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大師就是讓你在迷惘與贊嘆之間搖擺

I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.

這部就很私人了 回憶夢境現(xiàn)實(shí)交割 黑白彩色影像交換 充滿詩意的鏡頭 散文一樣的電影 光是開篇母親那個坐著的背影就可以直接給五星了 太美了…

《界》是各方面最有愛死機(jī)質(zhì)感的一集，結(jié)尾和音樂讓我毛骨悚然，可以給這集頒個獎嗎？

凝結(jié)時間和記憶的作品。母親坐在圍欄上向遠(yuǎn)處眺望，風(fēng)從遠(yuǎn)處吹來壓過一片高高的草叢。場景美到窒息。塔可夫斯基的詩也寫的很有韻味，這也印證了那句“詩人是適合拍電影的”。