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Fez圓我暴打nate的夢(mèng)想

對(duì)喪尸的想象力還有可觀。

以家人之名，行茍且之實(shí)。一個(gè)潛伏二十多年的猥瑣男視奸強(qiáng)吻性騷擾女性，最后把一個(gè)正常妹妹PUA同化的故事??男二真是慘到讓人憐愛(ài)?? 等主角以后結(jié)婚了，這部劇就無(wú)縫銜接到《不要和陌生人說(shuō)話》!

果然日本喪尸與眾不同，如煙花般絢爛的爆頭游戲，動(dòng)作戲還蠻有意思的??！

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.