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不管隔多少年再看都能會心一笑的電影，不僅是童年的回憶，梗和表情包放到現(xiàn)在也是永不過時的經(jīng)典。

拍兩個小時也真的是對這部電影主題的侮辱，前面看來看去各種沒意思，最后10幾分鐘提提神我還是想睡覺，整個旅程從到了旅館以后就逐漸遁入到主角的精神世界去了，或者可以說整部電影都是主人公的幻想，因為片子前后是有呼應(yīng)的。 就這部片有的地方我真的能感覺到科恩兩兄弟在對話像是自言自語給別人看。

一個牛逼的鬼故事就是這樣 畫面 已經(jīng) 吸引人的故事情節(jié) 結(jié)局還帶點意境

Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.

首映40年后被我打開觀瞻。抄經(jīng)奇談，夾雜山水蟲魚自然畫。喜歡看的話，定會覺得節(jié)奏很拿的住，沉穩(wěn)。。。然而，從故事人設(shè)看，婆婆媽媽的鬼，婆婆媽媽的書生，便有了三個鐘的事，有點費(fèi)電吶。3.4星。