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墮落之夜，庶民瘋舞，蜘蛛工作。騙子來了，騙子走了，他說是為無望的人類尊嚴打游擊。不知道這是黎明還是黃昏，外面沒有任何變化，早上沒有來臨，夜幕沒有降落。法院里的兩個時鐘不一樣，而它們都走錯了。ps七小時 五年

觀看前：“看劇照畫風一般，題材好像也挺無聊，分還這么高，你們這群跟風舔狗真沒見識?！笨赐?集后：“臥槽！這畫風和題材是絕配，看似粗獷實則細膩，牛逼！硬核！好看！真香??！”

高峰秀子美得真溫柔，結局處情感的爆發(fā)也叫人震顫，不知不覺就哭了，這是看小津不會有的體驗。是戰(zhàn)后背景跟社會新舊交替下掙扎而真摯的愛情。

4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.

7小時，兩場中間休息，不負眾望在第二段終于睡著了，整個影院木有退場(重復倒放的走路場景與[資產階級的審慎魅力]異曲同工，醫(yī)生本該幫助人卻常常被幫)，沒看過原著，個人意識流，細節(jié)，緩慢的長鏡頭讓人頻頻走神，昏昏欲睡